![]() ![]() ![]() And now we have this enlarged edition, in which three scrupulous scholars-genuine philologists of film theory-have brought precision and nuance to the way we talk about the most powerful yet befuddling art of the twentieth century. With revised and expanded versions of Découpage and Mise en scène and the previously unpublished essay Montage by Laurent Le Forestier.Ī beta-version of this brilliant idea for an affordable text on film form had already demonstrated its worth in my classroom. This is the magic of cinema.Available now from Indiana University Press. They also set for some sort of culmination when the two lines meet and somehow confront each other. This or that way, parallel editing is always about connecting - it tells more than just two separate stories. By merging videos about your day life and nightlife, you can give a much deeper insight into who you really are. The shorter the cuts, the more intensive the story gets.Īlso cross-cutting can help compare and contrast two stories, showing different points of view or realms of life. If you decide to make your suspense sequence, balance the time for each piece of the action wisely when you cut videos. Often, parallel editing is used to show suspense or create tension in a story. How and when to apply parallel editing in video This simple, nevertheless engaging story about love and, well, the department store right at the culmination point is also a parallel editing example. Parallel editing can be used not only in films. We see several storylines that happen on different layers - reality, dreams, dreams in dreams, dreams in dreams’ dreams… Don’t be lost. And “Inception” is packed with parallel editing examples. ![]() He uses this editing technique in many of his films. The viewers follow the two stories simultaneously, from shot to shot their attention is growing, the suspense is increasing, and they can’t help but anticipate some dramatic resolution.Ĭhristopher Nolan is considered to be the master of cross-cutting. The camera cuts between shots of the FBI agents approaching the house and of the killer inside the house. Michael is becoming a godfather not only to the baby but also to the mafia. Such a combination of shots lets us see deeper into the mind of the main character and add a new layer to the story. We see the scenes in the church and murders that, we feel, occur at the same time. But let’s have a look at some iconic cases of parallel editing. Over time, this editing technique has become more and more popular, and nowadays you can find it almost everywhere. Parallel editing was introduced in early films, like The Great Train Robbery (1903) or The Runaway Horse (Le cheval emballé) (1908). Even though you are watching the shots one after another, you still feel the simultaneousness of the two actions and some sort of connection between them. This type of editing establishes a relation between two scenes. The parallel editing definition (also known as cross-cutting) goes like this - switching back and forth between two or more scenes in different locations that are occurring simultaneously to create the feeling of parallel actions. ![]()
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